How are you doing? How is your time in Germany?
Ian: Its good, we really love to come to Germany so its cool to be here again.
John. Ive got my second cold by now for some reason...
Ian: Is it a cold?
John: But I dont want to bother you with my cold, its ok right now...
Ok, so I guess you dont get annoyed of touring the world?
Ian: That is the only thing that is worth getting sick the whole time. Usually it isnt that bad but we all sit in the same bus so it happens really fast that we all get sick when one has a cold. But Im fine with it...
How was the tour so far? Especially the dates with Samiam and the Subways? You feel in a way related to Samiam? You know their music?
Ian: Its great too, both of this bands. We got the chance to see and meet them for the first time. Ive never got into Samiam. Ive never heard of them before but it was cool to see them live...
Are you wondering that there is such a huge interest in Billy Talent? I think that your whole tour is sold out for about 3 weeks! How do you feel about this?
John: Thats really amazing, when we think of it...
Ian: It seems that every time we come back to Germany the locations get bigger and that there are even more people who want to see us performing.
So you see it as a positive or negative aspect to play for such a huge audience or would you rather play in a small club for 300 people?
John: Oh, thats no problem because we still get the opportunities to play in small places. We went to Paris for the first time and we played a really small show in front of 200 people. So just playing is one of the best sides, either at the Hurricaine Festival in front of ten thousand people or like today at this place.
Ian: Usually we play in smaller places when we go out for a tour. Only in Canada and in Germany we play the same size.
So you left the clubs?
Ian: Yes, but in the end it is only in Germany and Canada like this.
Ive heard that you covered a several times the Fugazi-Song Waiting Room. So how is your relation to Fugazi and has this kind of music influenced you?
Ian: Yeah, we are definitely big fans of Fugazi. We started covering Waiting Room I think four years ago and
John: We really played it a lot
Maybe you can play it tonight?
John: No, tonight well just present our albums.
Ian: In Canada we got the chance one time to cover a song for a MTV-Show and we played Waiting Room and we had to get the permission of Ian MacKaye so our management called him to get the permission and he said yes and I was like: Wow, you talked to Ian MacKaye!
You are part of a Major but you also covered a song of Fugazi, a band who represents with Dischord Records the underground. See a conflict?
Ian: I dont think that even Ian MacKaye cares a lot about this major labels vs. indie labels. Most of the indie labels are owned somehow by a majorlabels or have some kids of contracts with this so called indie labels. For my part Dischord Records is the last real indie label. We dont care as much about the fact being on a major, especially with the internet and MySpace it doesnt matter anymore if you are on a major or indie because people get the music anyways.
You mentioned the internet and MySpace. What do you think about filesharing? You regard it as a negative or as a positive aspect?
Ian. I think that its great.
John: As long as the people get into our music were fine with it. Its ok when more and more listen to our stuff. It doesnt matter how they get the music but its important that they listen to it.
Ian: The more fans get into our music, no matter where they got them from, the more we have an advantage of it. It doesnt matter if they heard the music on MySpace or bought the record in a store or heard it at a friends.
John: For us making albums wouldnt be anything worth if nobody could listen to them.
Ian: Even if somebody doesnt buy our record, maybe he still comes to our shows.
John: Those people are our fans so I cant get mad with them because they downloaded our record.
Interesting opinion because there is a huge debate about filesharing.
John: The kids dont have the money to buy all the records they want to, so its good that there are other ways. We did it the same way with tapes...
I regard it as an interesting fact that you are from Canada and at the moment you can see a lot of bands like Alexisonfire, Boys Night Out or Billy Talent who have big successes in the USA and in your case in Europe, so what do you think, have we got something like a Canadian wave at the moment?
Ian: I think in Canada the whole music industry is still so small. Maybe ten years ago some bands went out and had such a success that brought some effect to our music-scene. I think after the success of some bands like Grade, which is a good example because they got signed in the end by Victory Records in the USA; the whole independent music scene became more chances to release their records. You have tons of bands in Canada who release their records on major labels, indie labels and on the internet
Jon: Another important fact that provides the younger bands is the Warped tour which comes to Canada and local bands always play on warped tour and that happened the last ten years and helped to get a base for young bands. The internet is also an important factor
How is your relation to other Canadian bands, like Alexisonfire, Silverstein and so on?
Jon: Were close friends with Alexisonfire. We went on tour a few years ago and we live only one hour away from each other. We see them all the way and we know a lot of people in the music-business who also work for them. Maybe you can see us playing in Germany one day
Would be awesome but Alexisonfire in front of 3000 people is hard to imagine. Ive always seen them in front of 300 people in small clubs.
Jon: (laughs) In Canada they played one time for 65.000 people
Ian: Yeah, they are really huge in Canada
Jon: Its time that they change the size for them Maybe it will happen the same way like it happened to us. Every time they come back to Germany the venues get a little bit bigger
How did the success changed your lifes? Are you still able to go out on street in Canada?
Ian: Nothings really changed except the fact that we lay down our money in our houses and stuff like that. We can afford a better living but on the other side the most time were on tour. And usually the people think when you have success youre immediately a millionaire but we dont earn more than other people who have a normal job.
Jon: People even dont recognize us, only when we play a show in the same town but usually its ok.
Ian: When Ive got my hair done people recognize me, but for this Ive got my hat, so it aint that bad.
Okay, another thing that I regard as interesting is that you have a link on your Homepage to your old band Pezz, which can be described as more progressive. How comes?
Ian: So many kids were asking for it and then someone put it up and the kids were downloading it and asking us if we could play these songs and we were like We dont play these songs anymore.
Jon: Its also to show, that it is an important part of us
Usually bands hide their old projects and are ashamed of it
Ian: Its nothing we have to be ashamed of. Its a part of Billy Talent, even if it has nothing to do with our music today.
Do you think you will go again in such progressive direction one day?
Ian: No way!
Jon: Actually, I think we went out to do this progressive style because we wanted to show the people what we can do. They should hear that we are good musicians and all this crazy things. We got sick of this style of music and that was also the time when we had the problems with our name Pezz because there was another band with the same name. We changed into Billy Talent and started something musically what we all like.
Okay, another think I want talk about are ticket prices
Jon: Oh shit! Is it too expensive?
I think everybody has to know it for himself how much he/she wants to pay for a concert. But actually the tickets have been sold for 25 and plus shipping and this stuff you paid in the internet 28-30. What do you think about this?
Jon: We dont want to have high ticket-prices but the problem is that the communication from America to Europe doesnt seem to be the best. That really sucks! We come to Germany and we are asked how expensive our tickets are and we have no idea Sadly, its true that we usually have no idea about it
Ian: We shouldnt take more than 25 and if we would take that much we should play with more than just one band together
You are also quite active in some organizations. Tell me something about this!
Ian: We do a lot of things because when you are in a band you have a certain level of influence and charity organizations are important and we can tell people about them and make them think of it and organize themselves. We recorded a song for the AIDS-conference and we donate money for the organization Free the children.
Jon: We are also part in the Make poverty history-campaign. We helped an organization which is called the Kids-help phone with our Video to Nothing to loose. Each time the video was played in TV or Radio the organization got some money.
Ian: Well also play a benefit-concert for the Ernesto Side.
Jon: Well play with Alexisonfire and some other great bands
Jon: Yeah, it will be a small show with about 1000 people in a theatre. We also recorded a cover of John Lennon and the money will also be founded for the work of Amnesty International.
Okay, to come to an end: What will the future bring for Billy Talent? What can we expect?
Ian. Well be on tour in the USA with Rise Against and Thursday next month and afterwards well take some time off. After the Christmas holidays well be again on tour with Rise Against and Anti-Flag and then finally well come back to Europe next spring for some shows.
Okay, do you have any last statements?
John. We have really to thank the German people, its really going great here and the people are really thankful and nice to us.
Ian: We really appreciate that so many people come to our shows and listen to our music. Its amazing.