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Interview mit Everest

01.01.1998 - 00:00:00     Everest    

Es scheint tatsächlich so zu sein, als ob alle Vorurteile die man so hat stimmen. Es geht tatsächlich ausschließlich um Geld - darum möglichst viele Platten zu verkaufen. Und die verkauft man eben zur Zeit wenn man auf deutsch singt. Und sich am besten noch einen tollen Singlehit schreiben lässt. Künstlerisch waren wir aber nicht bereit so viele Kompromisse einzugehen und nach langen Diskussionen haben wir dann den Deal platzen lassen und uns gesagt, dass wir selber am besten wissen was gut für uns ist.

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Interview mit Nitrominds

01.01.1998 - 00:00:00     Nitrominds    

The message is: you can start your own revolution, you can change whatever you want. I think there\'s so many bad things in this world and we can do something, right?

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Interview mit Skarhead

01.01.1998 - 00:00:00     Skarhead    

We\'ll try to get on a better label, make money you know MTV superstar, girls, limos, beer, drugs, more drugs

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Interview mit Roger Miret & The Disasters

01.01.1998 - 00:00:00     Roger Miret & The Disasters    

Stigma fell down the stairs!

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Interview mit Soulfly

01.01.1998 - 00:00:00     Soulfly    

My engine is to just keep on writing songs that me and fans can go apeshit on. Plus adding new influences to the music is a big part of Soulfly. It keeps myself and Soulfly moving ahead doing these two things. Sometimes I like one song better than the other. Soulfly maintains the traditional feeling. There are different fans that like different songs. Keep moving forward

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Interview mit Krutch

01.01.1998 - 00:00:00     Krutch    

It basically just meant that hardcore and the music was our crutch, without it, life would be a bit more dull and harder to get through, we added the K and the name was born Krutch

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Interview mit Christian Kjellvander

01.01.1998 - 00:00:00     Christian Kjellvander    

I\'m self-taught. When I was younger I played trombone in a marching band, and that was my first religious, or almost religious, experience with music. We were in a big gymnasium and played the William Tell overture or something, just being a bunch of 10, 11 year old kids playing this wonderful piece of music. And it was so punk, you know. The whole place was just sounding and vibrating, and I remember getting goose bumps. That\'s probably the first time I can remember me realizing what an amazing vessel for feelings music is or can be.

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Interview mit Breakdown

01.01.1998 - 00:00:00     Breakdown    

In the US, any media attention that Hardcore gets is negative..there are Television documentaries that classify our music as violent and racist

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Interview mit Hell Within

01.01.1998 - 00:00:00     Hell Within    

Every song we write stands for who we are as people and a group. With every tune you get a piece of each member’s soul, blood, and tears. If I had to pick one that would best fit, I guess I would say “Godspeed to your Deathbed“. This song really shows the intensity we have and the changes in that song reflect our ability to constantly change to keep a listener tuned in. All of our songs keep their intensity through these numerous changes. Many new bands just keep reemphasizing the same riff over and over again creating a really drone feeling. We keep mixing it up through out each song, sometimes five or six even seven times, to make it interesting.

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Interview mit Betzefer

01.01.1998 - 00:00:00     Betzefer    

We\'re kind of underdogs in here… The mainstream media systematically ignores Metal music, and pretty much all music created in Israel which isn\'t in the Hebrew language, yet the scene is well-connected and people stay informed through the Internet and the streets, and we play really cool shows in here! Last month we pulled like 900 people in Tel-Aviv! And we have a great festival called Metalist happening every summer – which keeps growing every year…

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